{"id":2721,"date":"2018-06-25T16:59:37","date_gmt":"2018-06-25T16:59:37","guid":{"rendered":"http:\/\/59.106.140.197\/?page_id=2721"},"modified":"2018-12-04T01:45:28","modified_gmt":"2018-12-04T01:45:28","slug":"independent-productions","status":"publish","type":"page","link":"https:\/\/www.min-on.org\/fr\/independent-productions\/","title":{"rendered":"PRODUCTIONS IND\u00c9PENDANTES"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.7″ custom_padding=\u00a0\u00bb||0px|\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.11″ custom_padding=\u00a0\u00bb0px|||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

PRODUCTIONS IND\u00c9PENDANTES<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.9″][et_pb_column type=\u00a0\u00bb4_4″][et_pb_image _builder_version=\u00a0\u00bb3.7″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/wp-content\/uploads\/sites\/7\/2018\/06\/main-image-independent-productions.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

\u00ab\u00a0Le grand art ne saurait se cr\u00e9er sans des efforts laborieux et assidus pour se perfectionner et se polir. L\u2019art est une arme puissante dans le combat pour la paix ; il est une danse de victoire humaine supr\u00eame. La sueur, les larmes et les efforts des artistes pour perfectionner et affiner leur talent sont, en soi, une \u0153uvre de construction de la paix et de la culture au service de l\u2019humanit\u00e9 tout enti\u00e8re.\u00a0\u00bb – Daisaku Ikeda<\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.7″ custom_padding=\u00a0\u00bb0px|||\u00a0\u00bb][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

La mission que s\u2019assigne Min-On ne se limite pas \u00e0 favoriser les \u00e9changes culturels au niveau plan\u00e9taire ni \u00e0 offrir une vaste gamme de ce qu\u2019il y a de meilleur dans les arts du spectacle. Chaque ann\u00e9e, l\u2019Association parraine et organise toute une panoplie de productions ind\u00e9pendantes \u00e0 travers le Japon en vue d\u2019encourager l\u2019\u00e9panouissement des arts et de la musique. Ces productions comprennent un certain nombre d\u2019op\u00e9ras produits ind\u00e9pendamment par Min-On, ainsi que des com\u00e9dies musicales ou des pi\u00e8ces de th\u00e9\u00e2tre originales. Plus r\u00e9cemment, en 2008, Min-On a cr\u00e9\u00e9 sa propre production de \u00ab\u00a0Odyssey \u2013 Brass Angels 2008\u00a0\u00bb , mettant en vedette une distribution enti\u00e8rement f\u00e9minine avec un ensemble de cuivres, percussions, et la \u00ab\u00a0Color Guard\u00a0\u00bb, toutes venues des \u00c9tats-Unis. Cette production unique, appel\u00e9e Th\u00e9\u00e2tre Music Motion, pourrait \u00eatre consid\u00e9r\u00e9e comme un nouveau genre musical \u2013 la fusion de deux arts du spectacle traditionnels de l\u2019Am\u00e9rique\u00a0: la fanfare et le th\u00e9\u00e2tre musical du style Broadway.<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/11\/Min-On-Opera-Production-Les-contes-dHoffmann-in-1984.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Production par Min-On de l\u2019Op\u00e9ra Les Contes d\u2019Hoffman<\/em> en 1984<\/p>\n

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Nouvelle production Min-On de La Traviata<\/em> en 1990<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/11\/Min-On-Popular-Song-Theater-Bokyo-no-Uta.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Th\u00e9\u00e2tre de Chansons Populaires Min-On, \u00ab\u00a0Boky\u00f4 no Uta\u00a0\u00bb<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/11\/Original-Musical-Swinging-at-Backstage-in-1995.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Com\u00e9die Musicale \u00ab\u00a0Swingin\u2019 at Backstage\u00a0\u00bb en 1995<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/11\/Odyssey-Brass-Angels-2008.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Production Min-On \u00ab\u00a0Odyssey\u00a0\u00bb<\/p>\n

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Productions d\u2019Op\u00e9ra par Min-On<\/h2>\n

1983\u00a0\u00a0\u00a0 \u00ab Le Nozze di Figaro \u00bb<\/p>\n

Production\u00a0: Yasuhiko Aguni\u00a0; Direction Yukinori Tezuka\u00a0; Solistes\u00a0: Tadahiko Hirano, Hiroshi Kudo, Mitsumasa Sato, Yukie Okura, Yukiko Iwasaki, Masako Saito, Yasuko Kozaki et Kimiko Nagahama<\/p>\n

\n

1984\u00a0\u00a0\u00a0 \u00ab\u00a0Les Contes d\u2019Hoffman\u00a0\u00bb<\/p>\n

Production\u00a0: Keisuke Suzuki\u00a0; Direction\u00a0: Seiji Ozawa\u00a0; Solistes\u00a0: Makoto Hayashi, Kiyomi Toyota, Yukie Okura, Yoshie Tanaka et Takao Okamura<\/p>\n

\n

1985\u00a0\u00a0\u00a0 \u00ab\u00a0Madama Butterfly\u00a0\u00bb<\/p>\n

Production\u00a0: Yasuhiko Aguni\u00a0; Direction\u00a0: Tadaaki Odaka et Makoto Kokubu\u00a0; Solistes\u00a0: Iiran Chu, Yukiko Iwasaki, Yuko Ofuji, Kazuko Nagai, Shinya Kuroda, Kazuko Kobayashi et Makoto Hayashi<\/p>\n

\n

1987\u00a0\u00a0\u00a0 \u00ab La Cenerentola \u00bb<\/p>\n

Production\u00a0: Yasuhiko Aguni\u00a0; Direction\u00a0: J\u00e9r\u00f4me Kaltenbach et Naohiro Totsuka\u00a0; Solistes\u00a0: Yoshihisa Yamaji, Eiichi Taira, Kiyoshi Oda, Hiroyuki Okayama, Kiyotaka Kaga, Taichi Uchiyama, Kazuko Nagai et Keiko Omi<\/p>\n

\n

1989\u00a0\u00a0\u00a0 \u00ab\u00a0Pikova\u00efa dama\u00a0\u00bb (\u00ab\u00a0La Dame de Pique\u00a0\u00bb)<\/p>\n

Production\u00a0: Yasuhiko Aguni\u00a0; Direction Seiji Ozawa\u00a0; Solistes\u00a0: Hiroshi Kawakami, Makoto Hayashi, Shinobu Sato, Masako Saida, Akemi Nishi, Aiko Kori, Michio Tatara et Susumu Matsumoto<\/p>\n

\n

1987<\/span>\u00a0\u00a0\u00a0 \u00ab\u00a0La Traviata\u00a0\u00bb<\/p>\n

Production\u00a0: Yasuhiko Aguni et Shgetaka Matsumoto\u00a0; Direction\u00a0: Jacques Delac\u00f4te\u00a0; Solistes\u00a0: Shinobu Sato, Roberto Alagna, Robert Flontali, Michiko Aoki, Yukimi Akiyama et Ikuo Obo<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Pi\u00e8ces de th\u00e9\u00e2tre originales (parmi vingt-quatre productions diff\u00e9rentes) :<\/h2>\n

1974<\/span>\u00a0\u00a0\u00a0\u00ab Tambour cass\u00e9 \u00bb, avec en vedette Isamu Nagato<\/p>\n

\n

1976<\/span>\u00a0\u00a0\u00a0Th\u00e9\u00e2tre romantique Min-On\u00a0: \u00ab\u00a0Le Chant du Ballon de Hachiro Sato\u00a0\u00bb, avec Teruhiko Aoi<\/p>\n

\n

1978<\/span>\u00a0\u00a0\u00a0Th\u00e9\u00e2tre romantique Min-On\u00a0: \u00ab\u00a0Le Chemin autrefois suivi, de Hakush\u00fb Kitahara\u00a0\u00bb<\/p>\n

\n

1981<\/span>\u00a0\u00a0\u00a0Pi\u00e8ce de th\u00e9\u00e2tre originale Min-On\u00a0: \u00ab\u00a0Aoki Okami\u00a0\u00bb, avec Wakayama Tomisaburo<\/p>\n

\n

1984<\/span>\u00a0\u00a0\u00a0Th\u00e9\u00e2tre de Chansons Populaires Min-On\u00a0: \u00ab\u00a0Boky\u00f4 no Uta\u00a0\u00bb, avec Fujita Makoto<\/p>\n

\n

1987<\/span>\u00a0\u00a0\u00a0Pi\u00e8ce de th\u00e9\u00e2tre originale Min-On\u00a0: \u00ab\u00a0Omitsu\u00a0\u00bb, avec Izumi Pinko<\/p>\n

\n

1990<\/span>\u00a0\u00a0\u00a0\u00ab\u00a0Le Gar\u00e7on et les Cerisiers\u00a0\u00bb, par la Troupe th\u00e9\u00e2trale Tsunobue<\/p>\n

\n

1990<\/span>\u00a0\u00a0\u00a0Pi\u00e8ce de th\u00e9\u00e2tre originale inspir\u00e9e du conte de Rentaro Taki, \u00ab\u00a0K\u00f4j\u00f4 no Tsuki\u00a0\u00bb<\/p>\n

\n

2004<\/span>\u00a0\u00a0\u00a0Th\u00e9\u00e2tre choral de Min-On \u00ab\u00a0Ciel Bleu\u00a0\u00bb, avec Mai Kitajima et des chanteurs<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Com\u00e9dies Musicales Originales (parmi 23 productions diff\u00e9rentes):<\/h2>\n

1973<\/span>\u00a0\u00a0\u00a0\u00ab Genius Drifter \u00bb, avec Gannosuke Ashiya<\/p>\n

\n

1975<\/span>\u00a0\u00a0\u00a0\u00ab October is the Land of Twilight \u00bb, avec les Tokyo Kid Brothers<\/p>\n

\n

1975<\/span>\u00a0\u00a0\u00a0\u00ab Chaplin et moi \u00bb, avec Ichiro Arishima<\/p>\n

\n

1976<\/span>\u00a0\u00a0\u00a0\u00ab One Same Door \u00bb avec les Tokyo Kid Brothers<\/p>\n

\n

1985<\/span>\u00a0\u00a0\u00a0\u00ab Le Petit Prince \u00bb, avec Hideko Yoshida<\/p>\n

\n

1995<\/span>\u00a0\u00a0\u00a0\u00ab Swingin\u2019 at Backstage \u00bb avec Izumi Yukimura et Kaho Shimada<\/p>\n

\n

1995<\/span>\u00a0\u00a0\u00a0\u00ab The Broadway Story \u00bb, avec Yoshinori Monta<\/p>\n

\n

2008<\/span>\u00a0\u00a0\u00a0Th\u00e9\u00e2tre Music Motion \u00ab Odyssey\u2014Brass Angels 2008 \u00bb<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

PRODUCTIONS IND\u00c9PENDANTES

\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> \u00ab\u00a0Le grand art ne saurait se cr\u00e9er sans des efforts laborieux et assidus pour se perfectionner et se polir. L\u2019art est une arme puissante dans le combat pour la paix ; il est une danse de victoire humaine supr\u00eame. La sueur, les larmes et les efforts des artistes pour perfectionner et affiner […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[],"tags":[],"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"French - Min-On Website","distributor_original_site_url":"https:\/\/www.min-on.org\/fr","_links":{"self":[{"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/pages\/2721"}],"collection":[{"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/comments?post=2721"}],"version-history":[{"count":34,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/pages\/2721\/revisions"}],"predecessor-version":[{"id":8378,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/pages\/2721\/revisions\/8378"}],"wp:attachment":[{"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/media?parent=2721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/categories?post=2721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/tags?post=2721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}