{"id":2697,"date":"2018-06-25T15:23:34","date_gmt":"2018-06-25T15:23:34","guid":{"rendered":"http:\/\/59.106.140.197\/?page_id=2697"},"modified":"2019-01-08T07:51:39","modified_gmt":"2019-01-08T07:51:39","slug":"latin-tango","status":"publish","type":"page","link":"https:\/\/www.min-on.org\/fr\/latin-tango\/","title":{"rendered":"LE TANGO ET LA MUSIQUE LATINO-AM\u00c9RICAINE"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ next_background_color=\u00a0\u00bb#000000″ _builder_version=\u00a0\u00bb3.7″ custom_padding=\u00a0\u00bb||0px|\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.11″ custom_padding=\u00a0\u00bb0px|||\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

LE TANGO<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.9″][et_pb_column type=\u00a0\u00bb4_4″][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/wp-content\/uploads\/sites\/7\/2018\/06\/main-image-latin-and-tango.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.12″ custom_padding=\u00a0\u00bb||0px|\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

\u00ab\u00a0Le Tango doit toujours \u00eatre interpr\u00e9t\u00e9 en termes d\u2019\u00e9motion humaine. Il poss\u00e8de une voix humaine. Pour cette raison, nous devons faire jaillir le son qui exprime fid\u00e8lement ces \u00e9motions.\u00a0\u00bb \u2014 Osvaldo Pugliese<\/span><\/h2>\n

\u00ab\u00a0J\u2019estime que qu\u2019il importe d\u2019approfondir la compr\u00e9hension mutuelle entre le Japon et les pays d\u2019Am\u00e9rique latine en renfor\u00e7ant nos efforts en vue de promouvoir les \u00e9changes \u00e9ducatifs et culturels. De telles initiatives m\u00e8nent \u00e0 une solidarit\u00e9 et une prise de conscience partag\u00e9es, partant du principe que nous sommes des voisins unis par la Ceinture du Pacifique tout en \u00e9tant membres de cette m\u00eame communaut\u00e9 mondiale. Pareils \u00e9changes servent de rempart contre la guerre, et, tandis que nous nous effor\u00e7ons de nous extraire de cette concurrence pour la survie \u2013 concurrence qui semble ne jamais devoir prendre fin \u2013, cette prise de conscience commune servira de fondement sur lequel nous pourrons b\u00e2tir un monde o\u00f9 tous les pays et peuples pourront prosp\u00e9rer et s\u2019\u00e9panouir.\u00a0\u00bb \u2014\u00a0Daisaku Ikeda<\/span><\/h2>\n

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La musique latine, d\u2019Am\u00e9rique centrale et du sud, est un ensemble de styles et de genres de musique combinant g\u00e9n\u00e9ralement l\u2019influence de sources espagnoles, africaines, et autochtones. Cependant, une vari\u00e9t\u00e9 de riches cultures musicales et diverses saveurs de musique, propres \u00e0 chacun des pays d\u2019Am\u00e9rique latine, se sont d\u00e9velopp\u00e9es sur quelques si\u00e8cles, chacune sur un fond ethnique, historique, et socioculturel sp\u00e9cifique.<\/p>\n

Parmi les styles de musique argentins, le tango est sans doute le plus populaire, au point d\u2019\u00eatre devenu une forme de musique reconnue sur toute la plan\u00e8te. La S\u00e9rie Tango de Min-On fut lanc\u00e9e en 1970 avec un concert de l\u2019Orquesta Jos\u00e9 Basso, renomm\u00e9 dans le monde entier. L\u2019engouement pour le tango au Japon serait, dit-on, \u00e0 porter au cr\u00e9dit de cet orchestre. Chaque ann\u00e9e, la S\u00e9rie a braqu\u00e9 les projecteurs sur des tourn\u00e9es au Japon des meilleurs artistes de tango, tels que l\u2019Orquesta Osvaldo Pugliese et l\u2019Orquesta Mariano Mores. La plus r\u00e9cente \u00e9tait celle du Fabio Hager Sextet, dirig\u00e9 par le c\u00e9l\u00e8bre joueur de bandon\u00e9on Fabio Hager, en 2011, dans le cadre de la 42e \u00e9dition de la S\u00e9rie Tango. \u00c0 ce jour, cette s\u00e9rie a offert plus de 2.300 repr\u00e9sentations dans tout le Japon, mettant cette merveille qu\u2019est la musique de tango \u00e0 la port\u00e9e de plus de 3.5 millions de spectateurs. Min-On a \u00e9galement invit\u00e9 d\u2019autres musiciens et artistes de genres diff\u00e9rents de musique latine comme la musique populaire br\u00e9silienne ou la musique folklorique latine, originaires de divers pays d\u2019Am\u00e9rique latine, pr\u00e9sentant notamment des prestations de Gal Costa et Gilberto Gil du Br\u00e9sil, Los Indios du Paraguay, Los Laikas de Bolivie, parmi de nombreuses autres.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1″ fullwidth=\u00a0\u00bboff\u00a0\u00bb specialty=\u00a0\u00bboff\u00a0\u00bb prev_background_color=\u00a0\u00bb#000000″][et_pb_row][et_pb_column type=\u00a0\u00bb1_2″][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/wp-content\/uploads\/sites\/7\/2018\/08\/Osvaldo-Pugliese-from-Argentina-in-1979.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Osvaldo Pugliese, Argentine, en 1979<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/10\/Fabio-Hager-Sexteto-in-2018.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Fabio Hager Sexteto en 2018<\/p>\n

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Gloria and Eduardo Tango Ensemble, en 1979<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/10\/Orquesta-Julian-Plaza-in-1996.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Orquesta Julian Plaza, en 1979<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/10\/Orquesta-Mariano-Mores-in-1992.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Orquestra Mariano Mores, en 1979<\/p>\n

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S\u00e9rie Tango de Min-On:<\/h2>\n

1970, 1985<\/span>\u00a0\u00a0\u00a0Orquesta Jos\u00e9 Basso<\/p>\n

\n

1971<\/span>\u00a0\u00a0\u00a0Orquesta de H\u00e9ctor Varela<\/p>\n

\n

1972<\/span>\u00a0\u00a0\u00a0Florindo Sassone y Su Orquesta T\u00edpica<\/p>\n

\n

1973<\/span>\u00a0\u00a0\u00a0Francini Pontier y Su Orquesta T\u00edpica<\/p>\n

\n

1974, 1980<\/span>\u00a0\u00a0\u00a0Carlos Garc\u00eda Tango All Stars<\/p>\n

\n

1975<\/span>\u00a0\u00a0\u00a0Orquesta Fulvio Salamanca<\/p>\n

\n

1976<\/span>\u00a0\u00a0\u00a0Orquesta Leopoldo Federico<\/p>\n

\n

1977<\/span>\u00a0\u00a0\u00a0Francinin & Symphonic Tango Orchestra<\/p>\n

\n

1978<\/span>\u00a0\u00a0\u00a0Orquesta Jos\u00e9 Libertella<\/p>\n

\n

1979, 1989<\/span>\u00a0\u00a0\u00a0Orquesta Osvaldo Pugliese<\/p>\n

\n

1981<\/span>\u00a0\u00a0\u00a0Gran Orquesta Salg\u00e1n-De Lio<\/p>\n

\n

1982<\/span>\u00a0\u00a0\u00a0Orquesta Carlos L\u00e1zzari<\/p>\n

\n

1983, 1995<\/span>\u00a0\u00a0\u00a0Orquesta Orlando Tr\u00edpoi<\/p>\n

\n

1984, 1988, 1992<\/span>\u00a0\u00a0\u00a0Orquesta Mariano Mores<\/p>\n

\n

1986<\/span>\u00a0\u00a0\u00a0Orquesta Osvaldo Berlingieri<\/p>\n

\n

1987<\/span>\u00a0\u00a0\u00a0Enrique Dumas y Orquesta Dragone<\/p>\n

\n

1990, 1993<\/span>\u00a0\u00a0\u00a0Orquesta Juan D\u2019Arienzo<\/p>\n

\n

1991<\/span>\u00a0\u00a0\u00a0Orquesta del Tango de N\u00e9stor Marconi<\/p>\n

\n

1992, 1994, 2004<\/span>\u00a0\u00a0\u00a0Ensemble de Tango Gloria et Eduardo<\/p>\n

\n

1996<\/span>\u00a0\u00a0\u00a0Orquesta Juli\u00e1n Plaza<\/p>\n

\n

1997<\/span>\u00a0\u00a0\u00a0Orquesta Osvaldo Piro<\/p>\n

\n

1998<\/span>\u00a0\u00a0\u00a0Orquesta Mauricio Marcelli<\/p>\n

\n

1999<\/span>\u00a0\u00a0\u00a0Orquesta Carlos Buono<\/p>\n

\n

2000<\/span>\u00a0\u00a0\u00a0Orquesta Osvaldo Requena<\/p>\n

\n

2001<\/span>\u00a0\u00a0\u00a0Raul Lavi\u00e9 & Sexteto Sur<\/p>\n

\n

2002, 2005<\/span>\u00a0\u00a0\u00a0Orquesta El Arranque<\/p>\n

\n

2003<\/span>\u00a0\u00a0\u00a0Orquesta Carlos Galv\u00e1n<\/p>\n

\n

2006, 2012, 2018<\/span>\u00a0\u00a0\u00a0Fabio Hager & Tango del Sur<\/p>\n

\n

2007<\/span>\u00a0\u00a0\u00a0Orquesta Erica di Salvo<\/p>\n

\n

2008<\/span>\u00a0\u00a0\u00a0Orquesta Fernando Marz\u00e1n<\/p>\n

\n

2009<\/span>\u00a0\u00a0\u00a0Osvaldo Requena et Fernando Su\u00e1rez Paz<\/p>\n

\n

2010<\/span>\u00a0\u00a0\u00a0Orquesta Victor Lavall\u00e9n<\/p>\n

\n

2011<\/span>\u00a0\u00a0\u00a0 Color Tango<\/p>\n

\n

2013<\/span>\u00a0\u00a0\u00a0Orquesta Nicol\u00e1s Ledesma<\/p>\n

\n

2014<\/span>\u00a0\u00a0\u00a0Grecos Tango Orquesta<\/p>\n

\n

2015<\/span>\u00a0\u00a0\u00a0Orquesta La Juan D\u2019Arienzo<\/p>\n

\n

2016<\/span>\u00a0\u00a0\u00a0 Orchestre Sexteto Meridional<\/p>\n

\n

2017<\/span>\u00a0\u00a0\u00a0Horacio Romo Sexteto<\/p>\n

[\/et_pb_text][et_pb_toggle _builder_version=\u00a0\u00bb3.15″ title=\u00a0\u00bbS\u00e9rie Tango de Min-On :\u00a0\u00bb icon_color=\u00a0\u00bb#000000″ open_toggle_text_color=\u00a0\u00bb#000000″ closed_toggle_text_color=\u00a0\u00bb#000000″ open_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb]<\/p>\n

1970, 1985<\/span>\u00a0\u00a0\u00a0Orquesta Jos\u00e9 Basso<\/p>\n

\n

1971<\/span>\u00a0\u00a0\u00a0Orquesta de H\u00e9ctor Varela<\/p>\n

\n

1972<\/span>\u00a0\u00a0\u00a0Florindo Sassone y Su Orquesta T\u00edpica<\/p>\n

\n

1973<\/span>\u00a0\u00a0\u00a0Francini Pontier y Su Orquesta T\u00edpica<\/p>\n

\n

1974, 1980<\/span>\u00a0\u00a0\u00a0Carlos Garc\u00eda Tango All Stars<\/p>\n

\n

1975<\/span>\u00a0\u00a0\u00a0Orquesta Fulvio Salamanca<\/p>\n

\n

1976<\/span>\u00a0\u00a0\u00a0Orquesta Leopoldo Federico<\/p>\n

\n

1977<\/span>\u00a0\u00a0\u00a0Francinin & Symphonic Tango Orchestra<\/p>\n

\n

1978<\/span>\u00a0\u00a0\u00a0Orquesta Jos\u00e9 Libertella<\/p>\n

\n

1979, 1989<\/span>\u00a0\u00a0\u00a0Orquesta Osvaldo Pugliese<\/p>\n

\n

1981<\/span>\u00a0\u00a0\u00a0Gran Orquesta Salg\u00e1n-De Lio<\/p>\n

\n

1982<\/span>\u00a0\u00a0\u00a0Orquesta Carlos L\u00e1zzari<\/p>\n

\n

1983, 1995<\/span>\u00a0\u00a0\u00a0Orquesta Orlando Tr\u00edpoi<\/p>\n

\n

1984, 1988, 1992<\/span>\u00a0\u00a0\u00a0Orquesta Mariano Mores<\/p>\n

\n

1986<\/span>\u00a0\u00a0\u00a0Orquesta Osvaldo Berlingieri<\/p>\n

\n

1987<\/span>\u00a0\u00a0\u00a0Enrique Dumas y Orquesta Dragone<\/p>\n

\n

1990, 1993<\/span>\u00a0\u00a0\u00a0Orquesta Juan D\u2019Arienzo<\/p>\n

\n

1991<\/span>\u00a0\u00a0\u00a0Orquesta del Tango de N\u00e9stor Marconi<\/p>\n

\n

1992, 1994, 2004<\/span>\u00a0\u00a0\u00a0Ensemble de Tango Gloria et Eduardo<\/p>\n

\n

1996<\/span>\u00a0\u00a0\u00a0Orquesta Juli\u00e1n Plaza<\/p>\n

\n

1997<\/span>\u00a0\u00a0\u00a0Orquesta Osvaldo Piro<\/p>\n

\n

1998<\/span>\u00a0\u00a0\u00a0Orquesta Mauricio Marcelli<\/p>\n

\n

1999<\/span>\u00a0\u00a0\u00a0Orquesta Carlos Buono<\/p>\n

\n

2000<\/span>\u00a0\u00a0\u00a0Orquesta Osvaldo Requena<\/p>\n

\n

2001<\/span>\u00a0\u00a0\u00a0Raul Lavi\u00e9 & Sexteto Sur<\/p>\n

\n

2002, 2005<\/span>\u00a0\u00a0\u00a0Orquesta El Arranque<\/p>\n

\n

2003<\/span>\u00a0\u00a0\u00a0Orquesta Carlos Galv\u00e1n<\/p>\n

\n

2006, 2012, 2018<\/span>\u00a0\u00a0\u00a0Fabio Hager & Tango del Sur<\/p>\n

\n

2007<\/span>\u00a0\u00a0\u00a0Orquesta Erica di Salvo<\/p>\n

\n

2008<\/span>\u00a0\u00a0\u00a0Orquesta Fernando Marz\u00e1n<\/p>\n

\n

2009<\/span>\u00a0\u00a0\u00a0Osvaldo Requena et Fernando Su\u00e1rez Paz<\/p>\n

\n

2010<\/span>\u00a0\u00a0\u00a0Orquesta Victor Lavall\u00e9n<\/p>\n

\n

2011<\/span>\u00a0\u00a0\u00a0 Color Tango<\/p>\n

\n

2013<\/span>\u00a0\u00a0\u00a0Orquesta Nicol\u00e1s Ledesma<\/p>\n

\n

2014<\/span>\u00a0\u00a0\u00a0Grecos Tango Orquesta<\/p>\n

\n

2015<\/span>\u00a0\u00a0\u00a0Orquesta La Juan D\u2019Arienzo<\/p>\n

\n

2016<\/span>\u00a0\u00a0\u00a0 Orchestre Sexteto Meridional<\/p>\n

\n

2017<\/span>\u00a0\u00a0\u00a0Horacio Romo Sexteto<\/p>\n

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Los Laikas, Bolivie, en 1984<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/10\/Exodus-Steel-Orchestra-Brings-the-Caribbean-to-Japan-in-2014.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Orchestre Exodus Steel Band, R\u00e9publique de Trinidad et Tobago, en 1984<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/10\/Alfonso-Bautista-Marimba-Ensemble-from-Guatemala-in-2008.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Alfonso Bautista Marimba Ensemble du Guatemala<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=\u00a0\u00bb3.15″ src=\u00a0\u00bbhttps:\/\/www.min-on.org\/fr\/wp-content\/uploads\/sites\/7\/2018\/10\/Sun-Brass-from-Panama-in-2008.jpg\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb \/][et_pb_text _builder_version=\u00a0\u00bb3.15″]<\/p>\n

Sun Brass du Panama<\/p>\n

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Musique folklorique latine parmi de nombreux autres:<\/h2>\n

1976<\/span>\u00a0\u00a0\u00a0Los Indios, R\u00e9publique du Paraguay<\/p>\n

\n

1976<\/span>\u00a0\u00a0\u00a0Atahualpa Yupanqui, Argentine<\/p>\n

\n

1978, 1980<\/span>\u00a0\u00a0\u00a0Antonio Pantaja, Argentine<\/p>\n

\n

1981<\/span>\u00a0\u00a0\u00a0Cristina e Hugo, Argentine<\/p>\n

\n

1981<\/span>\u00a0\u00a0\u00a0Ram\u00f3n Veloz et Grupo \u00ab Campo Alegre \u00bb, Cuba<\/p>\n

\n

1982, 1992, 1994<\/span>\u00a0\u00a0\u00a0Condorkanki, Argentine<\/p>\n

\n

1983<\/span>\u00a0\u00a0\u00a0Cristina y Hugo, Argentine<\/p>\n

\n

1984, 1996, 2001<\/span>\u00a0\u00a0\u00a0Los Laikas, Argentine<\/p>\n

\n

1994<\/span>\u00a0\u00a0\u00a0Coral y Esmeralda, R\u00e9publique de l\u2019\u00c9quateur<\/p>\n

\n

1995<\/span>\u00a0\u00a0\u00a0Concert Viva ! Mexico \u201995 *Repr\u00e9sentation en 2009 et 2015 \u00e9galement<\/p>\n

\n

1997<\/span>\u00a0\u00a0\u00a0Chico Cesar, Br\u00e9sil<\/p>\n

\n

1997<\/span>\u00a0\u00a0\u00a0Fiesta Mexicana \u201897<\/p>\n

\n

1998<\/span>\u00a0\u00a0\u00a0Son Damas, Cuba<\/p>\n

\n

2000<\/span>\u00a0\u00a0\u00a0Tr\u00edo Los Panchos, Mexique<\/p>\n

\n

2001<\/span>\u00a0\u00a0\u00a0Los Mecateros, Mexique<\/p>\n

\n

2003<\/span>\u00a0\u00a0\u00a0Mart\u00edn Portillo y Americanta, Paraguay<\/p>\n

\n

2003, 2004, 2005<\/span>\u00a0\u00a0\u00a0Juanjo Dom\u00ednguez, Argentine<\/p>\n

\n

2005<\/span>\u00a0\u00a0\u00a0Los Mecateros, Mexique<\/p>\n

\n

2005<\/span>\u00a0\u00a0\u00a0Ensemble Cheo Hurtado, Venezuela<\/p>\n

\n

2008<\/span>\u00a0\u00a0\u00a0Guillermo Anderson & Ceibana, Honduras<\/p>\n

\n

2008<\/span>\u00a0\u00a0\u00a0Editus, Costa Rica<\/p>\n

\n

2009<\/span>\u00a0\u00a0\u00a0Mini All Stars, Ha\u00efti<\/p>\n

\n

2009<\/span>\u00a0\u00a0\u00a0Guillermo Anderson, Honduras<\/p>\n

\n

2010, 2011, 2013<\/span>\u00a0\u00a0\u00a0Anata Bolivia<\/p>\n

\n

2011<\/span>\u00a0\u00a0\u00a0Jamaica Rocks<\/p>\n

\n

2011<\/span>\u00a0\u00a0\u00a0Mac Salvador, El Colectivo Palenke, et Juan Medrano \u00ab Cotito \u00bb , P\u00e9rou<\/p>\n

\n

2005, 2014<\/span>\u00a0\u00a0\u00a0Orchestre Exodus Steel Band, R\u00e9publique de Trinidad et Tobago<\/p>\n

\n

2013<\/span>\u00a0\u00a0\u00a0C\u00e9sar L\u00f3pez & Habana Ensemble, Cuba<\/p>\n

\n

2015, 2017<\/span>\u00a0\u00a0\u00a0Anata Bolivia<\/p>\n

\n

2016<\/span>\u00a0\u00a0\u00a0Groupe Guaco, Venezuela<\/p>\n

\n

2017<\/span>\u00a0\u00a0\u00a0Katia Cardenal, la diva du Nicaragua<\/p>\n

[\/et_pb_text][et_pb_toggle _builder_version=\u00a0\u00bb3.15″ title=\u00a0\u00bbMusique folklorique latine parmi de nombreux autres :\u00a0\u00bb icon_color=\u00a0\u00bb#000000″ open_toggle_text_color=\u00a0\u00bb#000000″ closed_toggle_text_color=\u00a0\u00bb#000000″ open_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_background_color=\u00a0\u00bb#ffffff\u00a0\u00bb saved_tabs=\u00a0\u00bball\u00a0\u00bb]<\/p>\n

1976<\/span>\u00a0\u00a0\u00a0Los Indios, R\u00e9publique du Paraguay<\/p>\n

\n

1976<\/span>\u00a0\u00a0\u00a0Atahualpa Yupanqui, Argentine<\/p>\n

\n

1978, 1980<\/span>\u00a0\u00a0\u00a0Antonio Pantaja, Argentine<\/p>\n

\n

1981<\/span>\u00a0\u00a0\u00a0Cristina e Hugo, Argentine<\/p>\n

\n

1981<\/span>\u00a0\u00a0\u00a0Ram\u00f3n Veloz et Grupo \u00ab Campo Alegre \u00bb, Cuba<\/p>\n

\n

1982, 1992, 1994<\/span>\u00a0\u00a0\u00a0Condorkanki, Argentine<\/p>\n

\n

1983<\/span>\u00a0\u00a0\u00a0Cristina y Hugo, Argentine<\/p>\n

\n

1984, 1996, 2001<\/span>\u00a0\u00a0\u00a0Los Laikas, Argentine<\/p>\n

\n

1994<\/span>\u00a0\u00a0\u00a0Coral y Esmeralda, R\u00e9publique de l\u2019\u00c9quateur<\/p>\n

\n

1995<\/span>\u00a0\u00a0\u00a0Concert Viva ! Mexico \u201995 *Repr\u00e9sentation en 2009 et 2015 \u00e9galement<\/p>\n

\n

1997<\/span>\u00a0\u00a0\u00a0Chico Cesar, Br\u00e9sil<\/p>\n

\n

1997<\/span>\u00a0\u00a0\u00a0Fiesta Mexicana \u201897<\/p>\n

\n

1998<\/span>\u00a0\u00a0\u00a0Son Damas, Cuba<\/p>\n

\n

2000<\/span>\u00a0\u00a0\u00a0Tr\u00edo Los Panchos, Mexique<\/p>\n

\n

2001<\/span>\u00a0\u00a0\u00a0Los Mecateros, Mexique<\/p>\n

\n

2003<\/span>\u00a0\u00a0\u00a0Mart\u00edn Portillo y Americanta, Paraguay<\/p>\n

\n

2003, 2004, 2005<\/span>\u00a0\u00a0\u00a0Juanjo Dom\u00ednguez, Argentine<\/p>\n

\n

2005<\/span>\u00a0\u00a0\u00a0Los Mecateros, Mexique<\/p>\n

\n

2005<\/span>\u00a0\u00a0\u00a0Ensemble Cheo Hurtado, Venezuela<\/p>\n

\n

2008<\/span>\u00a0\u00a0\u00a0Guillermo Anderson & Ceibana, Honduras<\/p>\n

Alfonso Bautista Ensemble Marimba, Guatemala<\/p>\n

\n

2008<\/span>\u00a0\u00a0\u00a0Editus, Costa Rica<\/p>\n

San Blas, Panama<\/p>\n

\n

2009<\/span>\u00a0\u00a0\u00a0Mini All Stars, Ha\u00efti<\/p>\n

\n

2009<\/span>\u00a0\u00a0\u00a0Guillermo Anderson, Honduras<\/p>\n

\n

2010, 2011, 2013<\/span>\u00a0\u00a0\u00a0Anata Bolivia<\/p>\n

\n

2011<\/span>\u00a0\u00a0\u00a0Jamaica Rocks<\/p>\n

\n

2011<\/span>\u00a0\u00a0\u00a0Mac Salvador, El Colectivo Palenke, et Juan Medrano \u00ab Cotito \u00bb , P\u00e9rou<\/p>\n

\n

2005, 2014<\/span>\u00a0\u00a0\u00a0Orchestre Exodus Steel Band, R\u00e9publique de Trinidad et Tobago<\/p>\n

\n

2013<\/span>\u00a0\u00a0\u00a0C\u00e9sar L\u00f3pez & Habana Ensemble, Cuba<\/p>\n

\n

2015, 2017<\/span>\u00a0\u00a0\u00a0Anata Bolivia<\/p>\n

\n

2016<\/span>\u00a0\u00a0\u00a0Groupe Guaco, Venezuela<\/p>\n

\n

2017<\/span>\u00a0\u00a0\u00a0Katia Cardenal, la diva du Nicaragua<\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

LE TANGO \u00ab\u00a0Le Tango doit toujours \u00eatre interpr\u00e9t\u00e9 en termes d\u2019\u00e9motion humaine. Il poss\u00e8de une voix humaine. Pour cette raison, nous devons faire jaillir le son qui exprime fid\u00e8lement ces \u00e9motions.\u00a0\u00bb \u2014 Osvaldo Pugliese \u00ab\u00a0J\u2019estime que qu\u2019il importe d\u2019approfondir la compr\u00e9hension mutuelle entre le Japon et les pays d\u2019Am\u00e9rique latine en renfor\u00e7ant nos efforts en […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[],"tags":[],"distributor_meta":false,"distributor_terms":false,"distributor_media":false,"distributor_original_site_name":"French - Min-On Website","distributor_original_site_url":"https:\/\/www.min-on.org\/fr","_links":{"self":[{"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/pages\/2697"}],"collection":[{"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/comments?post=2697"}],"version-history":[{"count":55,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/pages\/2697\/revisions"}],"predecessor-version":[{"id":2700,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/pages\/2697\/revisions\/2700"}],"wp:attachment":[{"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/media?parent=2697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/categories?post=2697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.min-on.org\/fr\/wp-json\/wp\/v2\/tags?post=2697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}